Catalogue Raisonné
P69.068
Acrylic on panel
30 x 32 in.
76.2 x 81.3 cm
Signed front lower right: P.G.; inscribed on reverse: PHILIP/ GUSTON/ "MEETING" (underlined)/ 1969/ 30 x 32/ ACRYLIC (underlined)/ N.F.S. (underlined)/ COLLECTION/ OF/ ARTIST (underlined)
- Provenance
- Private Collection
- Exhibitions
- Marlborough Gallery, New York, NY, "Philip Guston Recent Paintings", October 17, 1970 - November 07, 1970
- La Jolla Museum of Contemporary Art, La Jolla, CA, "Philip Guston: Recent Work", July 31, 1971 - October 03, 1971
- San Francisco Museum of Modern Art, San Francisco, CA, "Philip Guston, Retrospective 1930 - 1979", May 15, 1980 - June 29, 1980 Travelled to:
- Whitechapel Gallery, London, England, "Philip Guston: Paintings 1969 - 1980", October 13, 1982 - December 12, 1982 Travelled to:
- National Gallery of Victoria, Melbourne, Australia, "Philip Guston: The Late Works", August 17, 1984 - September 16, 1984 Travelled to:
- Yale University Art Gallery, New Haven, CT, "Philip Guston: A New Alphabet, The Late Transition", April 25, 2000 - July 30, 2000 Travelled to:
- Inverleith House, Edinburgh, Scotland, "Philip Guston (1913 - 1980): Late Paintings", July 25, 2012 - October 07, 2012
- The Jewish Museum, New York, NY, "Draw Them In, Paint Them Out: Trenton Doyle Hancock Confronts Philip Guston", November 08, 2024 - March 30, 2025
- Bibliography
- Rosenberg, Harold. "Liberation from Detachment." The New Yorker, November 7, 1970, pp. 136–41, mentioned in text p. 139, not illus.
- Philip Guston. Exh. cat. New York: Marlborough Gallery, 1970, cat. no. 19, illus. in b&w p. 23
- Philip Guston: Recent Work. Exh. brochure. La Jolla: La Jolla Museum of Contemporary Art, 1971, cat. no. 19, not illus.
- Rosenberg, Harold. The De-Definition of Art: Action Art to Pop to Earthworks. New York: Horizon Press, 1972, mentioned in text p. 138, not illus.
- Philip Guston. Exh. cat. New York: George Braziller, 1980, cat. no. 48, illus. in b&w p. 23 Fig. 9
- Philip Guston: The Late Works. Exh. cat. Melbourne: The National Gallery of Victoria, 1984, cat. no. 12, not illus. and mentioned in text p. 19
- Storr, Robert. Philip Guston. New York: Abbeville Modern Masters, 1986, illus. in b&w no. 51 p. 53
- Weber, Joanna, Harry Cooper, and Laura Greengold. Philip Guston A New Alphabet: The Late Transition. Exh. cat. New Haven: Yale University Art Gallery, 2000, illus. in color Plate 40
- Slifkin, Robert. "Philip Guston's Return to Figuration and the "1930s Renaissance" of the 1960s." The Art Bulletin 93, no. 2 (2011): pp. 220–42, mentioned in text n16 p. 239, not illus.
- Jeffrey, Moira. "Different Strokes." Scotland on Sunday (Edinburgh), July 29, 2012, mentioned in text p. 12, not illus.
- Spence, Rachel. "Darkness and light: Paintings by Philip Guston, Jock McFadyen and Leslie Hunter form a thrilling narrative in Edinburgh." Financial Times (London), August 2012, mentioned in text, not illus.
- Spence, Rachel. "Darkness and light: Paintings by Philip Guston, Jock Mcfadyen and Leslie Hunter form a thrilling narrative in Edinburgh." Financial Times (London), August 10, 2012, section Arts. Online, mentioned in text, not illus.
- Hamilton, Adrian. "Philip Guston: The Hand That Rocked the Art Establishment." Independent (London), August 20, 2012, section Arts & Entertainment, pp. 44-45, mentioned in text p. 45, not illus.
- Philip Guston: Late Paintings. Exh. cat. Edinburgh: Royal Botanic Garden Edinburgh, 2012, cat. no. 1, illus. in color (unpaginated)
- Slifkin, Robert. Out of Time: Philip Guston and the Refiguration of Postwar American Art. Berkeley: University of California Press, 2013, illus. in color plate 11
- Miller, Peter Benson, ed. Go Figure! New Perspectives on Guston. New York: American Academy in Rome; New York Review of Books, 2014, illus. in color Fig. 40 p. 109 (unpaginated). Also mentioned in text pp. 101, footnote 15 on p. 106, and 107-111.
- Storr, Robert. Philip Guston: A Life Spent Painting. London: Laurence King Publishing, 2020, No. 126 illus. in color p. 131 and mentioned in text pp. 13 and 129
- Steinhauer, Jillian. "What Trenton Doyle Hancock Learned From Philip Guston: The Jewish Museum pairs the Texas artist with a 20th-century master. Together they confront racism with horror — and humor." New York Times, November 7, 2024. Online, illus. in color
- Steinhauer, Jillian. "An Artistic Kinship Rooted in a Shared Vision." New York Times, November 8, 2024, pp. C1 and C10-11, illus. in color p. C10
-
Draw Them In, Paint Them Out: Trenton Doyle Hancock Confronts Philip Guston. Exh. cat. New Haven and London: Yale University Press, 2024.
, illus. in color p. 33 and mentioned in text p. 18
